tag:blogger.com,1999:blog-46766061496423066812024-03-12T19:23:05.740-07:00Composição Elementos / PinturaC0R - LINHA - TEXTURA - EQUILÍBRIO - HARMONIA - RITMO - UNIDADE - PROPORÇÃO - CONTRASTE - ESPAÇOGAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.comBlogger255125tag:blogger.com,1999:blog-4676606149642306681.post-42592580558532911622021-10-03T10:18:00.001-07:002021-10-07T10:38:52.383-07:00Rocha de Sousa (1)<p><a href="https://arquivos.rtp.pt/conteudos/suportes-instrumentos-materiais/" target="_blank">Suportes, Instrumentos e Materias</a></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo_bCSOD74toiX1knFdqQx0TOEGZlNnTcyLfKqxwC2WRVy8_HRENl75HrcYzeMIyAitNXbCWTEDlXKr7XyuC0Mvr5c3o__Hw243RIET6iYrbzVy8eBV7vekBo_4IFWlW5tG2Bqu09ZwcY/s399/Imagem1.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="235" data-original-width="399" height="235" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo_bCSOD74toiX1knFdqQx0TOEGZlNnTcyLfKqxwC2WRVy8_HRENl75HrcYzeMIyAitNXbCWTEDlXKr7XyuC0Mvr5c3o__Hw243RIET6iYrbzVy8eBV7vekBo_4IFWlW5tG2Bqu09ZwcY/w400-h235/Imagem1.png" width="400" /></a></div><br /> <p></p>GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-53455599684908081202021-03-10T08:17:00.000-08:002021-03-10T08:17:05.899-08:00Diário (1804-1863) Delacroix, Eugène<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQQUn-vDpi7Ki1Zzky8BzXqmw_a2v3sj7w2snMy-vSiyjsUHU_Ml-OeWnShh-ghUvaTeSeHf-GlkVQG3Md2y4DbDVBNu98peBV-DeilXu8TqJVVQIgwgM8uN3hYVLvTE1zpJ7ISUNXFjo/s240/9788806162863.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="240" data-original-width="159" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQQUn-vDpi7Ki1Zzky8BzXqmw_a2v3sj7w2snMy-vSiyjsUHU_Ml-OeWnShh-ghUvaTeSeHf-GlkVQG3Md2y4DbDVBNu98peBV-DeilXu8TqJVVQIgwgM8uN3hYVLvTE1zpJ7ISUNXFjo/s0/9788806162863.jpg" /></a></div><p>Escreve Declaroix (1798-1863) no seu diário: ...“Há um género de emoção absolutamente próprio da pintura, uma
impressão, que resulta de um determinado arranjo de cores, de luz, de
sombra. É aquilo a que poderíamos chamar a música do quadro. Antes
mesmo de saber o que os quadros representam, entramos numa catedral e
encontramo-nos a uma distância excessiva do quadro para perceber o que
ele representa, e muitas vezes somos surpreendidos por este acorde
mágico.”....</p><p></p>GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-62163621534844515382021-03-09T08:00:00.001-08:002021-03-10T08:11:32.356-08:00 Jacqueline Lichtenstein, La Peinture<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJWFLv1z_PE_Ml4OliDMT5kHEdZWYqHXbdWUQRHPmDfJbQahMX5f7BAIr_dgptaRTL9HLMXErRFXL5d8jOG1cXJ2u9nabJ69mVuOpDljyYEUawPW2IMlYkYWAJTwlB1WVleMwX-SbdeXo/s256/transferir.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="256" data-original-width="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJWFLv1z_PE_Ml4OliDMT5kHEdZWYqHXbdWUQRHPmDfJbQahMX5f7BAIr_dgptaRTL9HLMXErRFXL5d8jOG1cXJ2u9nabJ69mVuOpDljyYEUawPW2IMlYkYWAJTwlB1WVleMwX-SbdeXo/s16000/transferir.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div>Para consultar os textos essenciais sobre Pintura, desde a Antiguidade até o século XX, este volume abrange as mais diversas perspectivas: teorias sobre arte, biografias, decretos dos conselhos, escritos de artistas e críticos ...<p></p><p>Trata o belo, os géneros pictóricos, a interpretação das obras, a arte contemporânea, a ideia de Pintura. Todos os temas são tratados numa ordem temática e histórica.</p><p> Jacqueline Lichtenstein, La Peinture, professora de filosofia na Universidade de Paris-X.</p><br /><p><br /></p>GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-8321607859863798292021-02-17T04:46:00.000-08:002021-02-17T04:46:08.133-08:00Com ou sem Tintas: Composição Ainda?<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihf7aBfdSPKSBxN7izQWIRBeAWoxux7N69Y2FmcO281Inj0DoaRY5WRQ4ud26jblnHFK9ddeJpvVEWNtZEbxi-ZWU-OS-8GeddD2Sqzrvb6rAPukOubYMuaFHQOR2HW4bo1WBmbdxq6bU/s535/0000168_com-ou-sem-tintas-composicao-ainda_535.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="535" data-original-width="343" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihf7aBfdSPKSBxN7izQWIRBeAWoxux7N69Y2FmcO281Inj0DoaRY5WRQ4ud26jblnHFK9ddeJpvVEWNtZEbxi-ZWU-OS-8GeddD2Sqzrvb6rAPukOubYMuaFHQOR2HW4bo1WBmbdxq6bU/w256-h400/0000168_com-ou-sem-tintas-composicao-ainda_535.jpeg" width="256" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">COM OU SEM TINTAS: COMPOSIÇÃO AINDA? é uma edição da FBAUL / CIEBA com a coordenação de Isabel Sabino e a participação de muitos artistas e produtores de arte.</div><div class="separator" style="clear: both; text-align: center;">Reflete-se sobre Composição na Pintura e na Arte e sobre a sua pertinência na atualidade.</div><div class="separator" style="clear: both; text-align: center;">Está disponível na Biblioteca da FBAUL</div><br /><p></p>GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-70269865419893427162020-05-13T16:15:00.000-07:002020-05-13T16:15:00.959-07:0010. Movimento<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/I2nHFrW68uY/0.jpg" src="https://www.youtube.com/embed/I2nHFrW68uY?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<br />GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-69219294815419914082020-05-06T16:13:00.000-07:002020-05-12T16:14:00.996-07:009. Espaço<div class="separator" style="clear: both; text-align: center;">
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<br />GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-52644119759211465432020-04-22T08:43:00.003-07:002020-04-22T08:43:47.493-07:008. Proporção Simetria Harmonia<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/Bz-RSrLOt2c/0.jpg" src="https://www.youtube.com/embed/Bz-RSrLOt2c?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<br />GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-59834003682117632912020-04-21T06:50:00.000-07:002020-04-22T06:51:34.941-07:00Janelas e Cavernas<div class="separator" style="clear: both; text-align: center;">
<a href="https://djaballahcomps.files.wordpress.com/2013/06/friedberg-the-virtual-window-from-alberti-to-microsoft-2006.pdf" target="_blank"><img border="0" data-original-height="475" data-original-width="372" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYNgbUpYAaw7S_Gvveh3-h77GQZcq1KdJb4jCOU7aOffYY7NUphdBGvoEvI-Tiup2clXbkCahkSGxjCyK3wEG6ePjzCj4ymP5_3qu2NbqmEYanjgDFY8340_KSW0nJSGeoXfK3kw4Q9Q8/s640/Anne+Frieberg.jpg" width="500" /></a></div>
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Depois de ultrapassada a «Janela de Alberti» nas duas primeira décadas do século XX, muitas outras «Janelas» se sucedem. Condicionam, delimitam, enquadram, acentuam, enfatizam, compõem. Como derrubá-las? Ou não sentiremos necessidade porque o que nos mostram é mais «belo» que a verdade? Preferimos o retorno à caverna (Platão)?</div>
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<span style="font-size: xx-small;">(I.S,2020)</span></div>
<br />GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-6375526524391856442020-04-16T16:11:00.003-07:002020-04-16T16:42:36.487-07:00GAB-A<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRSwt1ffPYrwjTwBSFy000u40HOfD3vsPO7M_FH6iabczkJffiADk9r6ERDCCTeY-67dsMmNYePrfD7pIgG9OjECO9GvhQwfRD2yP0h7BHAmc6GhAWBxQCL2IkpsxI7RZt3jmtUD1oEns/s1600/cartaz.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1132" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRSwt1ffPYrwjTwBSFy000u40HOfD3vsPO7M_FH6iabczkJffiADk9r6ERDCCTeY-67dsMmNYePrfD7pIgG9OjECO9GvhQwfRD2yP0h7BHAmc6GhAWBxQCL2IkpsxI7RZt3jmtUD1oEns/s640/cartaz.jpg" width="452" /></a></div>
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<span style="background-color: white; color: #333333; font-family: , sans-serif; font-size: 14px;">As GAB-A, Galerias Abertas das Belas-Artes não se realizam em 2020 </span><b style="background-color: white; color: #333333; font-family: circular-light, sans-serif; font-size: 14px; text-align: start;">por</b><span style="background-color: white; color: #333333; font-family: , sans-serif; font-size: 14px;"> </span><b style="background-color: white; color: #333333; font-family: circular-light, sans-serif; font-size: 14px; text-align: start;">causa das causas</b><span style="background-color: white; color: #333333; font-family: , sans-serif; font-size: 14px;"> que todos conhecem e vivem: COVID-19.</span></div>
<span style="background-color: white; color: #333333; font-family: , sans-serif; font-size: 14px;">No entanto esta infeliz ocorrência não nos pode impedir de procurarmos outros meios para atingirmos os mesmos fins: feira e fórum de arte, ou seja, troca e debate de bens ideias e pensamentos.</span><br />
<span style="background-color: white; color: #333333; font-family: , sans-serif; font-size: 14px;">Devemos procurar soluções uma vez que o trabalho, estudo e investigação sobre arte nunca acabará.</span><br />
<span style="background-color: white; color: #333333; font-family: , sans-serif; font-size: 14px;">Assim, nesta sua 14ª edição, decidimos dar um outro formato às GAB-A: </span><span style="background-color: white; color: #333333; font-family: , sans-serif; font-size: 14px;"><strong>GAB-A online</strong></span><br />
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<span style="background-color: white; color: #333333; font-family: , sans-serif; font-size: 14px;"><strong><a href="https://www.belasartes.ulisboa.pt/gaba2020/" target="_blank">LER MAIS</a></strong></span></div>
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<br />GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-717949497591208602020-04-15T16:17:00.000-07:002020-04-16T16:18:06.375-07:007. Geometria / Proporção<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/MNInCm-RawM/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/MNInCm-RawM?feature=player_embedded" width="320"></iframe></div>
<br />GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-10914719881214766832020-04-01T07:19:00.002-07:002020-04-01T07:19:40.808-07:006. Textura<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/3JDbXocP3HM/0.jpg" src="https://www.youtube.com/embed/3JDbXocP3HM?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
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Apresentação complementar a apresentação em conferência (1 abril 2020)GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-36848007938221767242020-03-31T07:29:00.000-07:002020-04-01T07:32:00.270-07:00Cinema - Obras sobre artistas pintores e respectivo processo <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUOByh4qZur0cyF36jlxT_btFvGo12shOmOZ8aKLFpodnghVDfQw_N9Vlkl_kmoLQh04vprtbMYCraA4OYevTrALYA2t9dKao_8-Fx7pdjxdDT6MZ3RpJfQQwtcSjWGbHFdglhudXnLQI/s1600/transferir.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="168" data-original-width="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUOByh4qZur0cyF36jlxT_btFvGo12shOmOZ8aKLFpodnghVDfQw_N9Vlkl_kmoLQh04vprtbMYCraA4OYevTrALYA2t9dKao_8-Fx7pdjxdDT6MZ3RpJfQQwtcSjWGbHFdglhudXnLQI/s1600/transferir.jpg" /></a></div>
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<b>… TOULOUSE-LAUTREC ….<o:p></o:p></b></div>
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‘Moulin Rouge’, de John Huston (1952)<o:p></o:p></div>
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<b>… VINCENT VAN GOGH ….<o:p></o:p></b></div>
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‘A Vida Apaixonada de Van Gogh’, de Vicente Minnelli (1956)<o:p></o:p></div>
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<b>… MIGUEL ÂNGELO….<o:p></o:p></b></div>
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‘A Agonia e o Êxtase’, de Carol Reed (1965)<o:p></o:p></div>
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<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: center;">
<b>… ANDREI ROUBLEV …<o:p></o:p></b></div>
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‘Andrei Roublev’, de Andrei Tarkovsky (1966)<o:p></o:p></div>
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<b>… VAN GOGH …<o:p></o:p></b></div>
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‘Van Gogh’, de Maurice Pialat (1991)<o:p></o:p></div>
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<b>… Pintor e Modelo …<o:p></o:p></b></div>
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‘La Belle Noiseuse’, de Jacques Rivette (1991)<o:p></o:p></div>
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<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: center;">
<b>… ANTONIO LÓPEZ GARCÍA …<o:p></o:p></b></div>
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‘El Sol del Membrillo’, de Víctor Erice (1992)<o:p></o:p></div>
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<b>… ARTEMISIA …<o:p></o:p></b></div>
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‘Artemisia’, de Agnès Marlet (1998)<o:p></o:p></div>
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<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: center;">
<b>… JANG SEUNG-UP / OWON …<o:p></o:p></b></div>
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‘Embriagado de Mulheres e de Pintura’, de Im Kwon-taek (2003)<o:p></o:p></div>
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<b>… VERMEER …<o:p></o:p></b></div>
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‘Rapariga com Brinco de Pérola’, de Peter Webber (2003)<o:p></o:p></div>
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<b>… TURNER …<o:p></o:p></b></div>
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Mr. Turner’, de Mike Leigh (2014)<o:p></o:p></div>
<br />GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-55612849402151878292020-03-30T15:57:00.000-07:002020-04-01T07:21:02.246-07:00CONCURSO DE INTERVENÇÕES ARTÍSTICAS<div style="text-align: center;">
<a href="http://bienaldecerveira.org/concurso-de-intervencoes-artisticas-candidaturas-abertas/?utm_source=phplist316&utm_medium=email&utm_content=HTML&utm_campaign=Concurso+de+Interven%C3%A7%C3%B5es+Art%C3%ADsticas+%7C+Candidaturas+abertas+at%C3%A9+18+de+abril%21" target="_blank"><img alt="Performance "Antes e Depois. Restaurando a Ordem Natural" 12 de agosto Conceção: Mónica Mura XX Bienal Internacional de Arte de Cerveira (2018)" src="https://i0.wp.com/bienaldecerveira.org/assets/uploads/2020/03/concurso_intervencoes_artisticas_2020.jpg?resize=500%2C333" /></a></div>
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<span style="box-sizing: inherit; font-weight: bolder;">A Fundação Bienal de Arte de Cerveira lança o desafio a artistas nacionais e estrangeiros para o envio de propostas de intervenção no âmbito do programa complementar da XXI Bienal Internacional de Arte de Cerveira, que decorre de 10 de julho a 13 de setembro de 2020.</span></div>
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O Concurso de Intervenções Artísticas 2020 decorre até 18 de abril e tem como objetivo a promoção das artes e da cultura contemporânea. Procuram-se projetos inovadores e transversais a todas as áreas artísticas (artes visuais, artes performativas e audiovisual, nomeadamente teatro, dança, música, circo, grafiti, performance, pintura, escultura, instalação, vídeo, fotografia, entre outros), para integrar a programação complementar da bienal de arte mais antiga do país e da Península Ibérica.<br />
“Com este concurso pretende-se promover o intercâmbio artístico através de linguagens interdisciplinares, num ambiente que se pretende multicultural”, explica Cabral Pinto, coordenador artístico do evento.<br />
De recordar que a Bienal Internacional de Arte de Cerveira assinala os seus 42 anos sob o tema “Diversidade-Investigação. O Complexo Espaço da Comunicação pela Arte”.... (<a href="http://bienaldecerveira.org/concurso-de-intervencoes-artisticas-candidaturas-abertas/?utm_source=phplist316&utm_medium=email&utm_content=HTML&utm_campaign=Concurso+de+Interven%C3%A7%C3%B5es+Art%C3%ADsticas+%7C+Candidaturas+abertas+at%C3%A9+18+de+abril%21" target="_blank">MAIS</a>)</div>
GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-6506982046375258912020-03-25T17:00:00.000-07:002020-03-25T17:00:00.148-07:005. Linha<div class="separator" style="clear: both; text-align: center;">
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<br />GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-5147148063230498992020-03-24T12:57:00.000-07:002020-03-24T12:57:12.542-07:00Linhas, fronteiras<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: x-small;"><span style="font-family: Calibri;">Sigalit</span><span style="font-family: Calibri;"> Landu, </span><span style="font-family: Calibri;">Bienal</span><span style="font-family: Calibri;"> de </span><span style="font-family: Calibri;">Veneza</span><span style="font-family: Calibri;">, 2011</span></span></div>
<br />GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-15536633455519213022020-03-23T05:52:00.000-07:002020-03-24T12:55:04.091-07:00Cursos, Visitas e Conversas sobre arte gratuitas.<br />
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<span style="font-family: "courier new" , "courier" , monospace;"><b>CONHECIMENTO DISPONÍVEL:</b><o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Em tempo de crise e de ficar em casa, temos acesso a algo mais. Tudo depende da nossa vontade.</span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><b><span style="background: white; color: #1a1a1a;">Universidades de Harvard, Yale ou Princeton</span></b><span style="background: white; color: #1a1a1a;"> entre
outras: 450 cursos gratuitos: Computer Science, Data Science, Programming,
Humanities, Business, <b>Art </b>& Design, Science, Social Sciences, Health &
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Development.<o:p></o:p></span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><a href="https://www.classcentral.com/collection/ivy-league-moocs">https://www.classcentral.com/collection/ivy-league-moocs</a><o:p></o:p></span></div>
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<b><span style="font-family: "courier new" , "courier" , monospace;">MoMA<o:p></o:p></span></b></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><a href="https://www.moma.org/research-and-learning/classes">https://www.moma.org/research-and-learning/classes</a><o:p></o:p></span></div>
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<b><span style="font-family: "courier new" , "courier" , monospace;">Google<o:p></o:p></span></b></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Visitas online, pessoas, museus, galerias e obras:<o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><a href="https://artsandculture.google.com/">https://artsandculture.google.com/</a><o:p></o:p></span></div>
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<b><span style="font-family: "courier new" , "courier" , monospace;">Tate Modern<o:p></o:p></span></b></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Conversas com artistas (TateShots Youtube): <o:p></o:p></span></div>
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<a href="https://www.youtube.com/playlist?list=PL5uUen04IQNkFECI0L3r-7zGY9RBgIKw8"><span style="font-family: "courier new" , "courier" , monospace;">https://www.youtube.com/playlist?list=PL5uUen04IQNkFECI0L3r-7zGY9RBgIKw8</span></a><o:p></o:p></div>
<br />GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-25713593876854829852020-03-18T03:48:00.002-07:002020-03-18T03:48:54.123-07:004. Cor<br />
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<br />GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-86196749754734240982020-03-09T15:09:00.002-07:002020-03-09T15:09:30.462-07:003. Matéria<div class="separator" style="clear: both; text-align: center;">
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Texto de apoio<br />
<i>Matéria e Forma: </i><br />
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<a href="https://repositorio.ul.pt/bitstream/10451/10391/2/ULFBA_ET12_835_Il%c3%addio%20Salteiro.pdf">https://repositorio.ul.pt/bitstream/10451/10391/2/ULFBA_ET12_835_Il%c3%addio%20Salteiro.pdf</a><o:p></o:p></div>
GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-85126394306821554872020-03-03T14:00:00.002-08:002021-03-03T07:43:06.031-08:002. Notas sobre Ser Arte e Fazer Arte e Ser Artista<div class="separator" style="clear: both; text-align: center;">
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<br />GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-25443027522875635882020-02-19T14:08:00.000-08:002020-03-03T14:08:52.708-08:001. Um texto e um modo infinito de compor<div class="separator" style="clear: both; text-align: center;">
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<br />GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-79738921912105793932019-05-05T14:02:00.000-07:002019-05-05T14:02:00.357-07:00Exercicio 2<br />
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Um texto que descreva de forma organizada e detalhada a leitura de um outro texto sobre composição, dado em aula. </div>
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1. Título: na capa, também chamada página de rosto, deve aparecer um título personalizado (remetendo para o título do texto em análise), o nome da instituição (FBAUL-Composição Elementos), curso, data e autor (nome e nº de aluno) (uma página). </div>
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2. Resumo: título do texto em análise, autor, data de publicação, tema geral do artigo, contexto do trabalho nos conteúdos de Composição Elementos, (4 a 5 linhas de texto). </div>
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3. Introdução: Nessa parte inicial explica-se o que se esteve a estudar (o texto) e como foi feito esse estudo; apenas leu o texto dado ou escolhido? Consultou a bibliografia do artigo? Consultou outra bibliografia? Entrevistou alguém? Visitou alguma exposição ou evento? Fez pesquisa na internet? Viajou? (uma a duas páginas) </div>
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4. Desenvolvimento (um subtítulo a partir do título do trabalho em análise e o autor): é uma parte mais longa, descrevendo ponto por ponto (índice) os assuntos tratados no texto. Desde a introdução até à bibliografia. O objetivo será destacar e descrever os aspetos principais do texto. Podem-se acrescentar outros pontos de vista, comparando, por semelhança ou por diferença. Mas indicando (citação) sempre as fontes bibliográficas. Pode também inserir entrevistas, desenhos, gráficos ou tabelas. </div>
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5. Conclusão/considerações finais: fazer uma a síntese das principais ideias retidas do texto. Depois pode haver um teor crítico, onde pode ser dado um ponto de vista pessoal. Este trabalho para além de referir o que se leu e estudou é conveniente que abra, nesta parte, perspetivas para estudos futuros. </div>
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6. Bibliografia / referências: numa folha separada deve conter tudo o que foi consultado durante o percurso da pesquisa. </div>
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Bibliografia: </div>
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Arnheim, Rudolph (1989). Intuição e Intelecto na Arte. São Paulo: Martins Fontes. </div>
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Platão (380 a.C.). A República. Lisboa: Edição Calouste Gulbenkian, 2010. </div>
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Citação: </div>
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(Arnheim, 1989:56)</div>
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Entrega:
27 de maio às 24h, entre 5 a 10 páginas, em formato pdf, entregue por email
para ....@campus...., em times 12 espaço 1,5.<o:p></o:p></div>
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No assunto do email: primeiro e último nome_ex. 2<o:p></o:p></div>
<br />GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-29887846090542623552019-02-25T13:51:00.000-08:002019-05-05T13:52:09.732-07:00Composição - referências<div class="separator" style="clear: both; text-align: center;">
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<br />GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-11555222805537419982019-02-24T13:13:00.003-08:002019-02-24T13:13:58.694-08:00Tratados de pintura e arte<div class="separator" style="clear: both; text-align: center;">
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<br />GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-87605971548109917772019-02-15T15:45:00.000-08:002019-02-21T13:56:14.892-08:00Composição enquadramentos<div class="separator" style="clear: both; text-align: center;">
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<br />GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0tag:blogger.com,1999:blog-4676606149642306681.post-39832046261640850212019-02-15T15:41:00.000-08:002019-02-15T15:54:20.288-08:00Escritos dos artistas: os tratados<div class="separator" style="clear: both; text-align: left;">
<b>Tema 1</b></div>
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Plínio o Velho</div>
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Vitrúvio</div>
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Cennino Cennini</div>
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GAB-Ahttp://www.blogger.com/profile/06688405143104693927noreply@blogger.com0